April 5  18:30 - 19:40  Budacu de Jos → Field  A family friend, Jacob, along with his wife Andreea, works as a photographer and videographer. I contacted Jacob in the hope that he would be able to provide me with a camera for filming, as well as offer some guidance on editing. I reached out to him on Thursday, and by Friday I had spoken with Darius, we both decided that Sunday afternoon would be best.  My friend Andra (Darius’s sister) acted as my assistant during the shoot.

My Creative Critical Reflection is presented in an essay format, answering to the the following 4 questions How do your products represent social groups or issues? How do the elements of your production work together to create a sense of branding? How do your products engage with the audience? How did your research Inform your products and the way they use or challenge conventions? Q1 HOW DO YOUR PRODUCTS REPRESENT SOCIAL GROUPS OR ISSUES? I applied Stuart Hall’s representat

Q. What was the inspiration behind your bands name, Refill? A. The name Refill comes from the idea of being refilled by God. We were inspired by the following verse from Habakkuk chapter 3 verse 3 "His glory covered the heavens and his praise filled the earth." It shows that when God comes, His glory fills everything. The idea behind Refill comes from that truth. Just like the earth is filled with HIs glory, our hearts can also be filled with HIs glory. No matter how empty o

A promotion video embraces a band's core message, acting as a powerful brand identifier. By creating a visual story that aligns with the bands purpose, style and theme, artists can build a loyal long term fanbase, increase engagement and effectively differentiate themselves from other artists in their specific genre industry. The 30-second horizontal reel was designed as a symbolic promotional video to visually communicate the message and purpose of the band Overflow (formerl

Main Character - Darius Youth group consists of 14 people (7 girls and 7 boys) Props Guitar Handkerchief and napkin

Inspiration When I first began brainstorming possible scenes and themes for the music video, I knew I wanted to incorporate an open field as a key location. At that stage, however, I was unsure whether the song I had chosen would align conceptually with such a setting or how I would integrate it in a meaningful way. My main source of inspiration was my friend Darius’ music video. The opening 38 seconds show him performing alone in an open field, filmed in mid-autumn. The sequ

Linear narrative with symbolic imagery  My music video follows Goodwin’s theory by combining performance, narrative and symbolic visuals that illustrate the lyrics and construct Darius’s authentic worship artist identity while using editing and close-ups to match the song’s emotional progression. Thematic Arc Isolation → bedroom, darkness, “lifeless” guitar Calling → light, movement toward purpose (light) Personal renewal → solo performance on field  Action and pursuit → runn

music video I appreciated how the music video focuses on narrative rather than performance. The entire theme of the song connects directly to each scene, illustrating how, in our daily lives, we sometimes feel the need to run away—to the edges of the earth—because life and even our own thoughts can become overwhelming. However, the video also reminds us that behind the scenes there is our Creator, who sees every detail of our lives and will not let us fall. No matter how far

Over the summer